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The two singles put out up to now by Ashnymph defy easy classification: the band's own tag of their music as “subconscioussion” provides few hints. The first single Saltspreader blended a pounding industrial rhythm – member Will Wiffen has at times appeared on stage wearing a T-shirt that displays the emblem of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar line that partly brings to mind the Stooges’ garage rock perennial I Wanna Be Your Dog, before melting into a barrier of unsettling sound. The planned result, the band has indicated, was to evoke motorway travel, “the grinding circulation of vehicles around the clock over vast spans … orange lights at night”.

Its follow-up, Mr Invisible, occupies a space between club music and left-field alt-rock. For one thing, the cut's tempo, multiple entrancing electronic parts, and lyrics that appear either psychedelically smeared or spellbindingly cyclical in a way that evokes Dubnobasswithmyheadman-era Underworld all suggest the dancefloor. On the other, its powerful concert-like energy, edge-of-chaos quality and fuzz – “making everything sound crunchy is a lifelong ambition,” Wiffen noted – set it apart as undeniably a band creation rather than a solitary home producer. They've gigged around the self-made music community of south London for under a year, “any venue that cranks the volume”.

But both are exciting and different enough – mutually and contemporary releases – to spark curiosity about the band's future direction. Whatever it is, on the basis of these two singles, it’s probably not dull.

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